Ferries

Feb. 21st, 2020 08:28 pm
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I am on the sun deck of a ferry out to saltspring from the mainland, at 9pm on Friday after a long day, in the middle of the water. It's cold and black - the wind here is as unbridled as a prairie wind, but wet, like frozen breath. There are lights above, on the mast, but nothing illuminating the sun deck directly.

There are a few others here, that I cannot see but can only hear. It is deeply unnerving, but in a savory, intensely private way. Two people are talking with one another; a third sits in silence, and I'm only aware of their presence because I hear them open a can of something.

The sky is overcast, black. You can tell the locations of islands by the orange smudges on the the undersides of clouds, where towns and villages are, and by the scattering of tiny lights along the horizon.

I love this.
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I read the two sequels to Annihilation in the last couple of weeks. The books were released in fairly quick succession and it shows; they are one piece of work, and although I would say Annihilation is a perfect thing on its own, the follow-ups feel structurally congruous.

As a whole, these books are a fevered love letter to ecological restoration independent of, and uninterested in, human needs. They are also an exploration of the concept of hyperobjects. They're also a deeply unsettling exploration of transformation. The core of these books are a fractally repeating spiral: forever moving towards a thing that they will never arrive at.

In fact, the parts of the third book that stumble the worst are the ones that offer too direct an answer to certain questions: I would rather the story have stayed a meditation of the unknowable, although in many ways it still did despite these moments.

If you have an interest in meditations on the unknowable, or if you have an abiding horror in where the anthropocene era is headed, I recommend these books to you.
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This is the first entry in a set of visualization documentations. I've recently returned to an old interest in internal symbology and subconscious spaces. There is a particular guided meditation sequence I've been using now and then at night to explore internal landscapes.

The conceit of this meditation is a series of gardens meant to represent the chakras. I don't personally subscribe to the spirituality inherent in things like chakras, but I find the structure in plumbing internal landsapces to be useful and interesting.

The first garden: Red )

Lost days

Jan. 25th, 2020 02:28 pm
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I slept in till 1pm today after staying up till midnight. I've had almost two weeks of bad health, zombie days and shitty sleep, probably due to some cortisol bullshit: I think this was making up that time, but I'm really struggling.

I had shit I wanted to do today -- but more than that, I had a day that wasn't centered around plans with other people. A day to sort of expand and take stock and get stuff done and maybe get myself an hour in a coffee shop just to chill. Of course, by the time I got up, my brother had texted TL and made dinner plans, so like... lovely, I haven't seen the nephews since before Christmas! But I also feel really incredibly off-balance.


You know how you can ignore a problem for ages, but then when you look at it, you see the extent of it, and it becomes overwhelming? I think I'm having one of those.

Whois

Jan. 5th, 2020 03:03 pm
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Hi! I’m Kat.

I’m a background painter for an animation studio and an amateur writer, lately returned to these fertile grounds during the great tumblr titty purge of 2018. There, I was Kabre (to be honest I’ll likely still post art there till some boob post or other gets me banned). This journal used to be a repository for writing projects I was working on, such as the Fensirt series of shorts which I cross-post to [community profile] rainbowfic. It will likely continue to be that, but no longer only that.

Things you’ll see here: Art, including commissions. Writing, personal journalling. A spattering of fandom stuff.

Stuff I’m into: Star Trek, Tamora Pierce, some handful of other sci-if and fantasy media, the proliferation of super queer animated shows that seems to be happening these days (you know the ones), queer culture in general, softness, sincerity.
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Boy and howdy, I've been reading this anthology of queer story essays about known donors, and it is giving me feelings. And Baby Makes More.

A lot of them so far have to do with how family and the definitions around family change for the familial groups with a known donor. How the donor becomes part of the family, less than parent, more than a stranger, and has an interest in the child's growing.

There are a lot of queer parents in the book who stress about that connection. For my part, it sounds lovely.

I for many years held out hope that somehow we'd stumble into a fella we both took a shine to, and that the notion of a donor would arrive organically. If I'm honest, asking my brothers was a second fiddle to that lovely abstract -- but the reality is, at this point in my life I don't really have the time or inclination for polyamory, though I like it in theory. (We've also had a couple of rough experiences. Last time we delved, TL got her heart broken and I still have rage for the people who did it. They were our friends before that and even just by that fact, they had a responsibility to be kind. I'll tell that tale sometime.)

Failing that, there is a loveliness to the idea of finding another queer family with some sort of sperm-haver, and asking them to help us grow ours. It's a riskier proposition than brothers, but -- but it has the chance to grow our circle, and I love the notion of growing our circle.

I admit, since brother #2 is out of the runnings, I am feeling a pull to look at other options. When it was both, and we could anonymize, it felt very much to me like that not-knowing was a bequeathing: that it washed the DNA of traces of others, and became mine because I was the one laying claim to it.

Oh, it's a push and pull. I still feel a gut desire to see a child related to both her and I, but. But. Family is complicated, and faced with the chaos of options, I feel the same as when faced with a blank page.
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I CAN SAY IT NOW

THE SHOW I'M WORKING ON IS STAR TREK

STAR TREK: LOWER DECKS IS THE SHOW THAT I AM WORKING ON

NaNoYAYMo

Dec. 1st, 2019 12:02 pm
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We did it!!

I am and will forever be a slower writer than TL, but damn it, I sustain. And we did it -- we're 75% of the way through book 2, at 100,000 words, probably 25% of which was fluff meant to keep us going when energy was flagging.

I thoroughly recommend writing alongside a loved other, folks. Sneak in with some RP when both of you are going UGGGHHH I DON'T WANNA and it brings the energy back up. Or at least fills in wordcount on a slow day.

I'm pretty proud of having done this alongside full-time work, although holy shit my wallet and adrenals are feeling all the time in coffee shops this month.
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I just finished reading Annihilation and oh by that's going to take a little bit to digest.

A very good book. Speaks a language I understand on a number of fronts, including that very specific something that comes with isolation. The protagonist is something I imagine I would have been had I taken a different path in life: her fascinations simply turned towards ecology rather than people.

Moreover the book ends on a strong, unifying concept, one that I parse as the relationship between searching for knowledge vs. searching for (or witnessing) significance. It poses a question, and then does not offer an answer, and I love it.

Is the search for knowledge -- pulling the data out of the noise -- a somewhat self-deceiving subset of the search for significance? How do you quantify significance? It seems to me like significance might be the subjective equivalent of knowledge, except that even hard data is, to some degree, subjective, given that the parameters of observation are still decided upon by some person, somewhere, with their own set of biases in regards to what is significant enough to record.

There's an interesting line, towards the end of the book, that addresses religion and its need to apply a deeper meaning to things. It is set that up in opposition to the sciences. I think it's largely what put me on the path of thinking about this thematic thread throughout the book.

The search for understanding, particularly in the realm of the scientific, is the search for something, and if that something isn't meaning, what is it? Especially as it can trigger its own experience of transcendence, comparable to what is offered up in religion?

The witnessing of, or experience of, significance?

Gaysto

Nov. 21st, 2019 08:10 pm
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I've been going to this coffee shop near work for about a week and a half, a few days a week, to write NaNo stuff after work. The first night I went there, the mocha was fantastic (which was why I'd chosen that place to go in the first place), but also the vibrant older Italian lady behind the counter kept bringing me little treats -- a cookie with my mocha, a very generous sample of their pizza. It may have been a ploy to get a new regular.

It worked.

I even brought TL there last Friday. We had the meat-olives-and-bread board they serve (it has an italian name I'm forgetting rn), and it was huge and delicious, and the lady had once more included a treat -- some cheese along with everything else. I asked her her name, and she told me, and like a dingus I didn't write it down and immediately forgot.

Today I went there to write, and I asked the lady's name again (and she remembered mine). She seemed pleased.

Towards the end of my visit, when I was passing by the counter, she snagged me as she was chattering with another woman and told me "I'd like to introduce you to my wife."

I was so delighted that she'd clocked me and TL, and was giving me this wonderful queer signal, that I got all grins and red-faced and awkward, told them both I was delighted to meet them, and retreated back to my table. They were still sitting together and chatting by the time I left and I said goodbye to them.

I don't know why it makes me so happy to be spotted out in the wild by other queers, but by god, it does.
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So I've been caffeinating heavily to try and keep up with a full-time job and NaNoWriMo, and last couple days it's caught up with me. Due to some older health issues I don't deal with adrenal stress well. I am bushed.

I'm also not entirely sure I'm keeping up with NaNo. TL and are I doing a joint wordcount this year, which is a kindness to me -- she's an absolute wordcount monster at the beginning of the month especially, and so if I've been floundering, she's been picking me up. Certainly I got nothing done today or yesterday.

I'll make it up later in the month. Last time we did this, I had a 10,000-word day on the second-last write-in day. Of course, that was a year I was only working part-time... but I'll do my best.

man though I'm tired. And brain-fogged. Feel like my brain's been put through a seed oil extractor

Cross play

Oct. 26th, 2019 11:58 am
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So today is our Halloween DnD session!!

And I am dressing up as Bright, my high-strung, anxious, suspicious rogue Tiefling. He was once described by our Kenku bard as "that weird little man who screams at everyone and then goes to have a panic attack in the corner". This is accurate.

I have spent the last month or so -- and especially the last week -- accruing, finding or creating bits and pieces of the costume. It's not perfect (I could keep adding details for a million years), but it's getting close, and I am excited for it.

I've wanted to do "drag" for years. (Airquotes because tbh dressing in feminine ways feels just as much "drag" to me as masc.) I generally dress neutral-to-masc anyhow, but... but now I have a binder, and an explicitly male character to play. I probably didn't have to wait until I had a halloween excuse to get the binder, but, I don't know. There isn't really that much I can do about these tits, so in my day-to-day I think a binder would make me feel rather more self-conscious than less.

In any case, today it is fun. I am slowly undergoing my transformation over the course of the day (there's a lot of makeup, or at least what seems to me to be a lot of makeup!). I'm not sure how well the horns will stick, but I have a plan.
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Going out today in the midst of the heavy rain was something. In our neighbourhood, at the top of a hill with no tall buildings around, the rain was a ubiquitous, shimmering curtain that created a fuzz at ground level where the concrete bounced it back up. The air was bright with diffuse, cloudy light and the world hatched with subtle, perfect verticals.

There are things in a place that are obviously, immediately beautiful; I love those well enough, but better are the ones that it takes you years of immersion to notice.
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So, with reason, I've been feeling pretty good lately.

Weekend was crazy. Three solid days of people, which pushes my limits for sure. Community Day and DnD on Saturday, and Thanksgiving on both Sunday and Monday, with my family and E&R and their kids respectively. I'm shocked I'm not sick — for those counting, that's three toddlers and one baby and all had snotty noses. Good job, immune system.

This is also my last week working on a project that I find technically enjoyable (I love me some rendering-heavy paint, especially of organic scenery, and boy howdy am I RENDERING SOME PLANTS m'boys) but sort of soulless. On next to a big franchise that helped shape my childhood and I'm excited to put my hand in.

More than that, though — well. A few things. The others I'll talk about later, but, oh man.

I think I'm in the right job, finally, after years of stress and confusion about it. At least for the time being, it's proving challenging and rewarding, and after a long, long time of not, I'm rebuilding my sense of self. I keep rising to the challenges at this work. I keep doing better. The hunger in my soul has a direction and though it still flares up from time to time, it's been helping me really sink my teeth into chasing projects and making impressions.

We had folio reviews yesterday, with the art director of the entire company. He'd done some several months ago and was back for the rest of us, to get to know all of us folks up in Vancouver (Titmouse is mainly based out of the US). It was serendipitous, honestly — in those several months I've been on three different shows, with three very very different styles, and honestly, I've killed it at all three. I've worked hard to.

He had noticed. I never expect that. In the ten or so minutes I got to chat with him, I learned that 1. He already knew who I was; 2. He had already taken note of my skill and versatility, and 3. he's got an eye on me for the future. We had a chat about the kind of folio improvements I'd have to put together to nail a position on his A-list, and organized to have coffee next time he's up.

This is big. It was a good conversation and the most validating thing that has happened to me in a very, very long time. It's one thing to know you're good at something, but — I'm so used to just simply not being seen at all, when I'm working in a group environment. It's powerful to be seen.
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So, we're probably going to try NaNoWriMo again this year. It seems to be settling into a pattern where I do one year NaNo, one year Huevember, and you know? it works.

We still have a ton of outline from 2017's go at book 2 of Daemon's Luck, so that's exciting to start digging into again. I don't anticipate managing to hit the wordcount -- two years ago I was still at the print shop with many days off, and this year I'll be working on a pretty intense (AND SO COOL you guys HNNG I hate NDAs) new show during november.

That said, I'm looking forward to lunctimes at coffee shops and TL and I spending a ton of weekend hours typing intensely at our respective laptops and iPads. There's something so purely intense about NaNo, man.
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So we run a DnD game on a somewhat irregular schedule, coming out in the wash to about once every two weeks, with a handful of friends. TL DMs and we host folks at our place, which is ideal because I can satisfy my delight in feeding my friends and when the night is over I can immediately collapse onto the couch in exhaustion, like a fainting lady, without any transit first.

Anyways, I don't know what was in the air tonight but everyone was fucking bonkers.

At one point we were discussing unintentionally hilarious 90s toys, and the DM punished us by naming our allied sailor NPCs after them: RIP Bondage Barbie, and godspeed Cockring Ken with that water elemental we trapped in a barrel for you.

At another point, HMS Pinafore came on the "nautical RPG" spotify playlist came on, and none of us, including the DM, could breathe laughing for about five minutes.

This is the shit I live for. Honestly there's nothing better than just being silly with people. I think this is why drinking is so popular in social gatherings -- that said, our DnD games are sober, so that freedom to be absurd has been much harder won over a long time, and it's so, so satisfying.

I've spent a lot of my life without a robust social group -- I've had friends, but rarely have those friends known each other. I don't know how long this group will last, but god it's a delight to have it now.
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"The lady said to the tiger as they stood behind some doors
"I'm sick of this job, I don't know what we're waiting here fors.
'I'm turning off life support, I'm putting an end to this joke."
The tiger thought about this, and then the tiger spoke."

Art. Aaaaas usual, there's a touch o' titty, also a tiger. )
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why in the dickens does moving take so much doing

like can't it all unbox and organize itself once I get it into the place, UGH

Momentous

Apr. 4th, 2019 07:51 pm
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The weather's been nice, so I've been walking at lunch rather than hanging around here, despite there being a great many things in the last few weeks very worth mentioning.

TL and I got married two Saturdays ago. Quietly but gleefully, on the 15th anniversary (more or less) of the day I first told her I liked her. We eloped, with a couple of friends for our witnesses and photographer, with a delightfully queer officiant. (Actually, I think it was statistically the queerest wedding I've ever heard of; there was only one nominally straight person there, and that truly is 'nominally' because his partner is trans and they married before his transition.) We did it in a beautiful independently-owned coffee shop near our place, one where we've spent many hours writing or just hanging out and being with each other. We dressed up -- she wore an off-white summer dress, I wore an off-white suit jacket and a waistcoat -- and we looked fabulous. TL made our bouquet.

It was everything I had hoped it would be: low-key, beautiful, utterly personalized and meaningful. Even kind of funny -- TL cracked a sweet gender joke during our vows, and after said vows, we realized we'd left the marriage license at home. Since home was 10 minutes away, this was hilariously embarrassing but ultimately fine... and our friend taking photos caught a couple of very cute shots during the moment we realized.

We took our friends out for barbeque and gelato after that, and then went home and packed for our two-day honeymoon in Victoria.

And now we're a couple of wives. Practically, it doesn't change much after fifteen years of coupled life, but it is a quiet, lovely thing that I carry around with me now. Married. Cool.

Why we eloped )
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And after a solid week of being sick, I'm back. Apologies to everyone whose comments I just didn't reply to -- I've spent an alarming amount of the past seven days fetal on the couch with a fever, and then making preparations for next Saturday (which I will tell you about afterwards, and is fairly large).

I've been rewarded with epic sunshine for my recovery, at least. It's beginning to feel legitimately like spring here and I cannot get enough.

So I've been listening to a new podcast at work called Treks and the City. It's brilliantly named -- you get almost everything you need to know about it from that name. It's two ladies, Trek fans, who listen to episodes of TNG and shoot the shit about them with each other and a guest. But as they would say it, it's not just Trek, it's Trek and the City -- and just like the other show the name riffs on, they're constantly off talking about their lives, their experiences, TMI stuff and everything, in addition to Star Trek. They're unapologetic. They're often off-topic and brook that as a feature, rather than a bug.

They also look at TNG (and with their Patreon, other Treks) from a feminist and particularly woman-centric point of view, as well as from a point of view of multiculturalism and the connective tissue of marginalized identity between. One host is a straight white comedian, the other is a bi (I think) Venezuelan-American comedian who is, over the course of the early podcast, converting to Judaism. I tend to come at things largely from a queer perspective myself, rarely from a specifically female perspective, and from a not-very-nuanced white perspective -- and hearing their voices on this thing I've loved so long is fascinating.

It's also forced me to wrestle with some internal biases. I have a complicated relationship with gender, particularly with being female -- I don't feel very female, and I think that's led to an antagonism in me to things that other women seem to share so easily. I've had to check myself for judging the way that they speak to one another and the way that they engage with a whole web of topics at a time rather than just carrying on in a linear and logical manner. There are some episodes I've really hated -- one in particular with a guest who didn't watch the episode at all and seeemed to try and cover by being as gross as possible, a couple others that just fell flat. Largely, however, I've grown to really enjoy witnessing the way these two women share with each other and their guests their love of TNG, because it's changed my own understanding of the breadth of people to which this show appeals. Their joy overwhelms and is so clear. Their earnestness is bright and unapologetic without being trite.

There are a billion Star Trek podcasts out there to enjoy, and almost as many devoted specifically to TNG. But Treks and the City provides a perspective that I would consider pretty unique and worthwhile among them.

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